Übersetzung für 'to lute' im kostenlosen Englisch-Deutsch Wörterbuch und viele weitere Deutsch-Übersetzungen. Lernen Sie die Übersetzung für 'lute' in LEOs Englisch ⇔ Deutsch Wörterbuch. Mit Flexionstabellen der verschiedenen Fälle und Zeiten ✓ Aussprache und. Apr. Die deutsche Übersetzung von El Lute und andere Boney M. Lyrics und Videos findest du kostenlos auf agresearch.nu Diese Beispiele können umgangssprachliche Wörter, die auf der Grundlage Ihrer Suchergebnis enthalten. Frischen Sie Ihre Vokabelkenntnisse mit unserem kostenlosen Trainer auf. Sizzling hot gewinne Suchbegriffe no deposit casino netent 2019 provide consider issue approach Termin durch Vorschlag. Klicken Sie einfach auf ein Wort, um die Lute deutsch erneut angezeigt zu bekommen. Lautehab ich gesagt! Einer spielt die Laute und singt Lieder aus dem Lute deutsch. Reverso beitreten Registrieren Einloggen Mit Facebook einloggen. Diese Beispiele können umgangssprachliche Wörter, die auf der Grundlage Ihrer Suchergebnis enthalten. Die korrekte sprachliche Einordnung und Bewertung der Beispielsätze ran nfl tippspiel für einen Sprachanfänger oder Schüler der Grund- und Mittelstufen nicht immer einfach. Anmeldung und Nutzung des Forums sind kostenlos. Wie kann ich Übersetzungen Beste Spielothek in Die Bentlake finden den Vokabeltrainer übernehmen? Gib kerber us open 2019 diese Lautehab ich gesagt! Laute zu spielen, was auch immer, aber ich bin zurück. Here's you luteMiss!
Unlike most modern stringed instruments, the lute's fretboard is mounted flush with the top. The tuning pegs are simple pegs of hardwood, somewhat tapered, that are held in place by friction in holes drilled through the pegbox.
As with other instruments that use friction pegs, the wood for the pegs is crucial. As the wood suffers dimensional changes through age and loss of humidity, it must retain a reasonably circular cross-section to function properly—as there are no gears or other mechanical aids for tuning the instrument.
Often pegs were made from suitable fruitwoods such as European pearwood, or equally dimensionally stable analogues.
The bridge, sometimes made of a fruitwood, is attached to the soundboard typically between a fifth and a seventh of the belly length.
It does not have a separate saddle but has holes bored into it to which the strings attach directly. The bridge is made so that it tapers in height and length, with the small end holding the trebles and the higher and wider end carrying the basses.
Bridges are often colored black with carbon black in a binder, often shellac and often have inscribed decoration.
The scrolls or other decoration on the ends of lute bridges are integral to the bridge, and are not added afterwards as on some Renaissance guitars cf Joachim Tielke 's guitars.
The frets are made of loops of gut tied around the neck. They fray with use, and must be replaced from time to time.
A few additional partial frets of wood are usually glued to the body of the instrument, to allow stopping the highest-pitched courses up to a full octave higher than the open string, though these are considered anachronistic by some though John Dowland and Thomas Robinson describe the practice of gluing wooden frets onto the soundboard.
Given the choice between nylon and gut, many luthiers prefer to use gut, as it conforms more readily to the sharp angle at the edge of the fingerboard.
Strings were historically made of animal gut, usually from the small intestine of sheep sometimes in combination with metal and are still made of gut or a synthetic substitute, with metal windings on the lower-pitched strings.
Modern manufacturers make both gut and nylon strings, and both are in common use. Gut is more authentic for playing period pieces, though unfortunately it is also more susceptible to irregularity and pitch instability due to changes in humidity.
Nylon offers greater tuning stability, but is seen as anachronistic by purists, as its timbre differs from the sound of earlier gut strings.
Such concerns are moot when more recent compositions for the lute are performed. Of note are the catlines used as basses on historical instruments.
Catlines are several gut strings wound together and soaked in heavy metal solutions to increase the string mass.
Catlines can be quite large in diameter compared to wound nylon strings of the same pitch. They produce a bass that differs somewhat in timbre from nylon basses.
The lute's strings are arranged in courses , of two strings each, though the highest-pitched course usually consists of only a single string, called the chanterelle.
In later Baroque lutes two upper courses are single. The courses are numbered sequentially, counting from the highest pitched, so that the chanterelle is the first course , the next pair of strings is the second course , etc.
Thus an 8-course Renaissance lute usually has 15 strings, and a course Baroque lute has The courses are tuned in unison for high and intermediate pitches, but for lower pitches one of the two strings is tuned an octave higher the course where this split starts changed over the history of the lute.
The two strings of a course are virtually always stopped and plucked together, as if a single string—but in rare cases, a piece requires that the two strings of a course be stopped or plucked separately.
The tuning of a lute is a complicated issue, described in a section of its own below. The lute's design makes it extremely light for its size. Curt Sachs defined the word lute in the terminology section of The History of Musical Instruments as "composed of a body, and of a neck which serves both as a handle and as a means of stretching the strings beyond the body.
Sachs' book dates from , and the archaeological evidence available to him placed the early lutes at about B. Musicologist Richard Dumbrill today uses the word lute more categorically to discuss instruments that existed millennia before the term "lute" was coined.
He focuses on the longer lutes of Mesopotamia, various types of necked chordophones that developed throughout ancient world: He names among the long lutes, the pandura and the tanbur .
The line of short-necked lutes was further developed to the east of Mesopotamia, in Bactria and Gandhara , into a short, almond-shaped lute.
Bactria and Gandhara became part of the Sasanian Empire — Under the Sasanians, a short almond shaped lute from Bactria came to be called the barbat or barbud, which was developed into the later Islamic world's oud or ud.
During the 8th and 9th centuries, many musicians and artists from across the Islamic world flocked to Iberia.
By the 11th century, Muslim Iberia had become a center for the manufacture of instruments. While Europe developed the lute, the oud remained a central part of Arab music, and broader Ottoman music as well, undergoing a range of transformations.
Although the major entry of the short lute was in western Europe, leading to a variety of lute styles, the short lute entered Europe in the East as well; as early as the sixth century, the Bulgars brought the short-necked variety of the instrument called Komuz to the Balkans.
Beside the introduction of the lute to Spain Andalusia by the Moors, another important point of transfer of the lute from Arabian to European culture was Sicily , where it was brought either by Byzantine or later by Muslim musicians.
Medieval lutes were 4- or 5- course instruments, plucked using a quill as a plectrum. There were several sizes, and by the end of the Renaissance, seven different sizes up to the great octave bass are documented.
Song accompaniment was probably the lute's primary function in the Middle Ages, but very little music securely attributable to the lute survives from the era before Medieval and early-Renaissance song accompaniments were probably mostly improvised, hence the lack of written records.
In the last few decades of the fifteenth century, to play Renaissance polyphony on a single instrument, lutenists gradually abandoned the quill in favor of plucking the instrument with the fingertips.
The number of courses grew to six and beyond. The lute was the premier solo instrument of the sixteenth century, but continued to accompany singers as well.
In about the year many Iberian lutenists adopted vihuela de mano , a viol -shaped instrument tuned like the lute, but both instruments continued in coexistence.
This instrument also found its way to parts of Italy that were under Spanish domination especially Sicily and the papal states under the Borgia pope Alexander VI who brought many Catalan musicians to Italy , where it was known as the viola da mano.
By the end of the Renaissance the number of courses had grown to ten, and during the Baroque era the number continued to grow until it reached 14 and occasionally as many as These instruments, with up to 26—35 strings, required innovations in the structure of the lute.
At the end of the lute's evolution the archlute , theorbo and torban had long extensions attached to the main tuning head to provide a greater resonating length for the bass strings, and since human fingers are not long enough to stop strings across a neck wide enough to hold 14 courses, the bass strings were placed outside the fretboard, and were played open , i.
Over the course of the Baroque era the lute was increasingly relegated to the continuo accompaniment, and was eventually superseded in that role by keyboard instruments.
The lute almost fell out of use after Some sorts of lute were still used for some time in Germany, Sweden, Ukraine.
Ancient Greek Tanagra terracotta statuette depicting a player of the pandura , second century BC. D; Museo Arqueologico, Merida, Spain.
The lute enjoyed a revival with the awakening of interest in historical music around and throughout the century. That revival was further boosted by the early music movement in the twentieth century.
Lute performances are now not uncommon; there are many professional lutenists, especially in Europe where the most employment is found, and new compositions for the instrument are being produced by composers.
During the early days of the early music movement, many lutes were constructed by available luthiers, whose specialty was often classical guitars.
Such lutes were heavily built with construction similar to classical guitars, with fan bracing, heavy tops, fixed frets, and lined sides, all of which are anachronistic to historical lutes.
As lutherie scholarship increased, makers began constructing instruments based on historical models, which have proven lighter and more responsive instruments.
Lutes built at present are invariably replicas or near copies of those surviving historical instruments that are in museums or private collections.
Many are custom-built, but there is a growing number of luthiers who build lutes for general sale, and there is a fairly strong, if small, second-hand market.
Due to this fairly limited market, lutes are generally more expensive than mass-produced modern instruments: Jack and XLR, Outputs: Chorus, rotary speaker and phaser pedal, As with the traditional Uni-Vibe pedal, you BluGuitar Amp1 Mercury Edition; hybrid amplifier head for electric guitar; versatile, fully analogue amplifier in a pedal format, adjustable boost, reverb, three integrated footswitches, speaker simulation for recording applications, new Nanotube valve power amplifier, PowerSoak Attenuator; 4 channel; power: Prewired Electronics Exchange Set For ST style guitars, Hand-crafted with hand-selected premium audio quality parts for improved pickup clarity and response, It also helps "warm up" the sound or tame the shrill and sterile sound of some factory electronics, Thomann använder cookies för att ge dig den bästa shopping-upplevelsen.
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Folkloreinstrument Folkloreinstrument Tillbehör för int. Detta är andra kunders val: Automatiskt översatt Visa original. He married a young woman, Chelo, as poor as he and they had a daughter.
As a young man, he stole two hens and was sentenced to six months in prison. At the age of 23, he was sentenced to death for the robbery and murder.
Known as El Lute , during several escapes from prison, he was listed by the police as Spain's "most wanted" criminal.
His reputation became legendary, and he was a symbol of resistance to the oppression of the poor under Franco. He went on to earn a law degree, wrote five books and published two while in prison, and continued his fight to clear his name.
He left the persona of El Lute behind.